Begin deze maand (mei 2018) verscheen met enige vertraging het tweede nummer van Jazzsim waarin in een pagina-vullend artikel aandacht wordt besteed aan de muziek van "Leaving Traces". Hiervoor werd ik even na de release afgelopen najaar al geïnterviewd door Angelique van Os, en ik moet zeggen dat ik me er al bijna bij neer had gelegd dat het waarschijnlijk 'wegbezuinigd' was in ruil voor advertentie-ruimte. Toch bevond ik me sinds begin april elke week wel een keertje in een kiosk waar ik voorzichtig informeerde of 'de nieuwe Jazzism' al verkrijgbaar was misschien. Begin mei lag hij er dan eindelijk. Vluchtig bladerde ik naar de inhoudsopgave en toen snel naar pagina 21 om te kijken of het er echt in stond, en jawel :). "Dit is mijn moment" voelt als iets wat ik niet gezegd kan hebben denk ik meteen (blijkbaar toch), maar ik geloof graag dat ze gelijk heeft, die Sietske van Oktober afgelopen jaar ;)...
"Het is de kunst om de complexiteit en eigenzinnigheid van de muziek zo organisch mogelijk te laten samenvloeien" (en laten klinken ;). - in gesprek met Jazzism over muziek van "Leaving Traces"
Er staan in april (en ook mei) weer leuke concerten in de planning met de band met de muziek van Leaving Traces, te beginnen met een optreden als gast-solist bij 't Millennium Jazz Orchesttra" in Theater bouwkunde (04/04), dan met de band in 't Luxor theater in Zutphen (17/04) en daarna in Miles in Amersfoort (19/04). Ik hoop je op een van deze avonden te zien!
★★★★ - Jazzism (magazine).
“...Leaving Traces impresses, with wayward forms (...), suite-like pieces and surprising twists” - “ the international quintet has been together for about six years and forms audibly a strong collective that creates space for one another”
It has been an exciting period leading towards the release of the new album (Leaving Traces) and shortly after also the release of the video for the song Chasin' Rainbows. I thought it would be nice to share some of the thoughts behind the piece and how this translates itself in the video...
After three years of teaching (and learning!) in this wonderful small scale but versatile school - hanging out in its stimulating teaching environment, spending many hours with enthusiastic students (and some with my colleagues as well of course) - I finally made it... I'm on the cover of the new brochure ;-). Check out the website for next season's courses and options, and come for a trial lesson in the new year. We're happy to have you!
"Sietske Roscam Abbings album highlights a beautiful voice and excellent compositions. I can hear the history of the music coming from her, but I can't pinpoint one or two influences in particular. To me, this shows a unique voice - something every artist works towards achieving." - Noah Preminger
"Sietske Roscam Abbing has it all: A great voice that seems to endlessly stay in memory. Fantastic and special songwriting - an impressive group of musicians. I am more than certain that we will hear a lot more coming from and about this artist!"
May is dedicated entirely to musical adventures in the amazing city of Mumbai. The first half of my stay here has been great already (the nick-name "Maximum city" is definitely in place). This is what's coming up in part #2:
This Friday Merel Morre, the official poet of Eindhoven city, will present her brand new publication "Dons op mijn tanden" in the 'Parktheater' in Eindhoven. I have the honor to present one of her poems in the form of a song that I wrote for this occasion in the past week. I can not reveal anything of the poem that I used yet (until Friday), but as a glimpse of the content I can tell you that it's about seemingly insignificant encounters between people that can purport entire stories that might or might never happen..
p.s. I will be performing the song solo. This is a premiere for me (on official occasions, since high-school), but it might be the start of something new.. ;)
This is where it all started, the first song ever written for this project! A passionate piece composed by Dirk with lyrics by me about "starting all over again". This song is not on the album.
The last week before the Christmas holidays the vocal students of music school Tune-up (Haarlem) sang their hearts out at the presentation of their first trimester. Together with my colleague Julia Oschewsky I organize a gathering where our students can share what they've been working on to inspire (and surprise) each other and us with their song and honest performance. It's wonderful to be a part of the musical development of these great young people.
If you are interested in vocal lessons (in Amsterdam or Haarlem) don't hesitate to contact me and I'll tell you about the possibilities (all ages, all levels. All styles of popmusic and crossover styles. Personal lessons, but also duo - or group lessons, choir and/or courses on a specific topic are all possibilities; contact me to discuss your wishes.
"One of the most refreshing voices I've heard in the past weeks". Here's the clip of december 16th's broadcast of the show Jazz Aktuell at SRF2 Kultur featuring music of "Where it starts again" and an interview. Presentation is in Germain with fragments of the interview in English. (Presentation Jodok Hess).
Here's a transcript of the sproken parts translated in English.
[Audio: "A day like this"]
No wonder she’s laughing, Sietske Roscam Abbing, here in Jazz Aktuell at SRF2Kultur – after all she’s just about to make a good name for herself, even abroad.
"Where It Starts Again", that’s the name of her new CD, and on it, her and her pianist Dirk Balthaus‘ songs are interpreted by an ideal band: a band, that is, which constantly creates some creative interference. This way, Sietske’s songs never sound too sweet. Almost a way of auto-correction favourable to her, it seems, for sweet things always have appealed to her, she told me, even back in the days when she was mostly listening to singer-songwriters.
[Audio: about Sietske, 00:00:24,37]
Pretty soon jazz came into the picture, however, and Sietske used to travel half an hour by train to get to a jam session where, one night, she met, jammed and had a great time with pianist Dirk Balthaus. Little did she realize that she was soon going to meet him again, this time at Amsterdam conservatory as her piano teacher.
[Audio: How Sietske met Dirk, 00:00:21,93]
Dirk Balthaus and Sietske Roscam Abbing start working together and composing, sometimes as a team, sometimes each for him/herself. And the way Sietske writes music actually reminds me of a director more than a composer. She would always try to make a picture of what the music was going to be about, she told me. All I Need, for instance, is a song about being lonesome in the midst of many people. So she started by thinking about how somebody would feel in this particular situation: what are the sounds, the smells? What does it look like? And all these impressions together would then result in this specific chemical reaction making the music sound. ..
[Audio: "All I need"]
(thanks to Jodok Hess for the translation).
On november 26th the band was invited to play a part of our release tour program at Radio 6, their weekly live show presented by Mijke van Wijk (Mijke & Co Live!). We had the honor of sharing the stage with a.o. Texan trumpeter Roy Hargrove and Ben Herman, one of Dutch most active saxophone players. It was a full house and a great vibe! Here's a a compilation video of this evening.